EMIL HILJE: ROMANESQUE AND GOTHIC ART
I. The course of Romanesque and Gothic art is supposed to give the
fundamental knowledge about art in Europe, and especially in Croatia, between
1000 and 1500. The students have to learn stylistic elements of Romanesque
and Gothic architecture, sculpture and painting. They are also expected to
memorize and to be able to recognize the most important monuments of European
and Croatian Romanesque and Gothic art.
II. The course of Romanesque and Gothic art is
one of the seven main courses of the art history study at the Faculty of Philosophy
in Zadar. We also expect that students with attachment to medieval art take
every year one of the facultative courses releted to the main course, so that
at the end of the study they may become some sort of specialists.
III. All learning about art is obligatory connected
with visual materials. At this point of developing the course we are transfering
reproductions from the books and other illustrations to a digital form, so
that students can get them on the simple CD. The course is devided in two
parts: lectures and seminars. After each lecture students ask questions about
the subject, and after seminars the discussion is obligatory. We have luck
to live in the city with lots of considerable monuments of Romanesque and
Gothic art, so that we hold approximately half of our seminars outside the
classroom, in direct contact with objects of art.
IV. The course of Romanesque and Gothic art has
two hours of lectures and two hours of seminars each week. Lectures mostly
contain topics related to European art, and seminars those related to Croatian
art. A week-by-week division is as following:
LECTURES:
1. Historical background of Romanesque art.
2. Romanesque architecture in France (Burgundy, Central and west France,
Languedoc and south-west France, Provence, Ille-de-France, north-east France,
Normandy and Brittany).
3. Romanesque architecture in England.
4. Romanesque architecture in Germany.
5. Romanesque architecture in Italy (North Italy, Middle Italy, South Italy).
6. Romanesque architecture in other countries (Spain, Portugal, Belgium,
Netherland, Scandinavia, Switzerland, Austria, Poland, Czechia, Slovakia,
Hungary, Slovenia, Montenegro, Serbia).
7. Romanesque architecture in Croatia.
8. Romanesque sculpture in France (schools of Provence, Languedoc and Burgundy).
9. Romanesque sculpture in Italy (North Italy, Middle Italy, South Italy).
10. Romanesque sculpture in other countries (Spain, Portugal, England, Germany,
Belgium, Netherland, Scandinavia, Switzerland, Austria, Poland, Czechia,
Slovakia, Hungary, Slovenia, Montenegro, Serbia).
11. Romanesque sculpture in Croatia.
12. Romanesque mural painting.
13. Romanesque painting on wood and miniatures.
14. Romanesque painting in Croatia.
15. Romanesque goldwork.
16. The age of Gothic art.
17. Gothic architecture in France (development of gothic architecture in
Ille-de-France and spread to other regions).
18. Gothic architecture in England and Germany.
19. Gothic architecture in Italy and Spain.
20. Gothic architecture in other countries (Portugal, Belgium, Netherland,
Sweden, Austria, Poland, Czechia, Slovakia, Hungary, Slovenia).
21. Gothic architecture in Croatia.
22. Gothic sculpture in France (Chartres, Paris, Reims, Amiens, Strasbourg
...).
23. Gothic sculpture in Germany and Austria (Bamberg, Naumburg ...).
24. Gothic sculpture in Italy (Nicola Pisano, Giovanni Pisano ...).
25. Gothic sculpture in other countries (Spain, Portugal, England, Belgium,
Netherland, Poland, Czechia, Hungary, Slovenia).
26. Gothic sculpture in Croatia.
27. Gothic painting in Italy.
28. Gothic painting in other countries.
29. Gothic painting in Croatia.
30. Gothic goldwork.
SEMINARS:
1. Benedictine architecture in the 11th century in Dalmatia.
2. Zadar Cathedral.
3. St. Chrysogonus church in Zadar.
4. Gislebertus.
5. Benedetto Antelami.
6. Origin of Romanesque sculpture in Dalmatia.
7. Radovan's portal of Trogir Cathedral.
8. Andrija Buvina.
9. Romanesque mural paintings in Istria and Dalmatia.
10. Paintings at the Permanent Exhibition of Sacral Art in Zadar.
11. Sculptures at the Permanent Exhibition of Sacral Art in Zadar.
12. Chartres Cathedral.
13. Zagreb Cathedral.
14. Franciscan monastery in Zadar.
15. Franciscan monastery in Dubrovnik.
16. Nicolò and Giovanni Pisano.
17. Tilman Riemenschneider.
18. Paolo da Sulmona.
19. Bonino da Milano.
20. Matteo Moronzon.
21. Juraj Matejev Dalmatinac.
22. Andrija Aleši.
23. Giotto di Bondone.
24. Simone Martini.
25. Paolo Veneziano.
26. Menegelo Ivanov de Canali.
27. Blaž Jurjev Trogoranin.
28. Ivan Petrov iz Milana.
29. Dujam Vučković.
30. St. Simeon's shrine in Zadar.
Students are also allowed to take for their seminars
some other topics, according to their interest and available literature.
V. Readings for the course are primary related
to those that students can find in Zadar, than to those that would be the
most appropriate. So, the basic list of readings for the course of Romanesque
and Gothic Art is:
MANDATORY:
- K. J. Conant, Carolingian and Romanesque Architecture,
London, 1959.
- H. E. Kubach - P. Bloch, Romanička umetnost,
Novi Sad, 1974.
- O. Demus - M. Hirmer, Romanesque Mural Painting,
London, 1970.
- A. Martindale, Gothic Art, London, 1967.
- H. Busch - B. Lohse, Baukunst der Gotik in Europa,
Frankfurt am Main, 1958.
- I. Petricioli, Od Donata do Radovana, Split,
1990.
- M. Prelog, Romanika, Zagreb, 1984.
- I. Fisković, Romaničko slikarstvo u Hrvatskoj,
Zagreb, 1987.
- R. Ivančević - E. Cevc - A. Horvat, Gotika u Sloveniji
i Hrvatskoj, Zagreb, 1984.
RECOMMENDED:
- F. Souchal, Srednji vijek, Rijeka, 1968.
- H. H. Hofstätter, Kasni srednji vijek, Rijeka,
1968.
- C. R. Morey, Mediaeval Art, New York, 1942.
- N. Pevsner, An Outline of European Architecture,
London, 1964.
- H. E. Kubach, Architettura romanica, Milan,
1972.
- M. Aubert - M. Pobé - J. Gantner, Gallia romanica,
Beograd, 1963.
- P. Belli D'Elia, Italia romanica, Beograd, 1964.
- H. Busch, Germania romanica, Beograd, 1965.
- M. Durliat, Hispania romanica, Wien, 1962.
- R. Th. Stoll - J. Roubier, Britania romanica,
Wien, 1966.
- A. Tuulse, Scandinavia romanica, Wien, 1968.
- M. Aubert, L'Art Roman en France, Paris, 1961.
- H. Decker, Romanesque Art in Italy, London,
1960.
- P. de Palol - M. Hirmer, Španija, Beograd, 1976.
- B. Rupreht, Romanička skulptura u Francuskoj,
Beograd, 1979.
- E. Mâle, L'Art Religieux du XIIe siècle en
France, Paris, 1953.
- C. L. Rigghianti, Medioevo Europeo: Storia della
scultura nel Mondo, Verona, 1978.
- G. H. Crichton, Romanesque sculpture in Italy,
London, 1954.
- E. B. Garrison, Italian Romanesque Panel Painting,
Florence, 1949.
- A. C. Quintavalle, Benedetto Antelami, Milano,
1990.
- K. H. Clasen, Die gotische Baukunst, Wildpark-Potsdam,
1930.
- L. Grodecki, Gothic Architecture, New York,
1985.
- P. Frankl, Gothic Architecture, Harmondsworth,
1962.
- M. Pobé, Splendeur gothique en France, Paris,
1964.
- H. Decker, L'Italie gothique, Paris, 1964.
- J. Pope-Hennessy, Italian Gothic Sculpture,
London, 1955.
- W. Sauerlander, La sculpture gothique en France,
1140-1270, Paris, 1972.
- H. Focillon, Art d'Occident. Le Moyen age roman
et gothique, Paris, 1955.
- P. Toesca, Il Medio Evo: Storia dell'arte italiana,
Torino, 1927.
- M. Rickert, Painting in Britain. The Middle Ages,
London, 1954.
- L. Stone, Sculpture in Britain. The Middle Ages,
London, 1955.
- M. Aubert, La Cathédrale de Chartres, Paris,
1952.
- G. Cattaneo - E. Baccheschi, Duccio, Milano,
1972.
- G. Vigorelli - E. Baccheschi, Giotto, Milano,
1968.
- M. Milani - E. Baccheschi, Giotto, Milano, 1975.
- G. Contini - M. C. Gozzoli, Simone Martini,
Milano, 1970.
- V. W. Egbert, Mediaeval Artist at Work, Princeton,
1967.
- C. M. Radding - W. W. Clark, Medieval Architecture,
Medieval Learning: Builders and Masters in the Age of Romanesque and Gothic,
New Haven, 1992.
- E. Panofski, Gotička arhitektura i skolastika,
Život umjetnosti 47, Zagreb, 1990.
- J. Huizinga, Jesen srednjeg vijeka, Zagreb,
1991.
- A. Erlande-Brandenburg, Katedrala, Zagreb, 1997.
- G. Duby, Le Temps des cathédrales, Paris, 1976.
- J. Le Goff, Civilizacija srednjovjekovnog Zapada,
Zagreb, 1998.
- L. Mumford, Grad u historiji, Zagreb, 1988.
- A. Badurina, Minijatura u Hrvatskoj, Zagreb,
1987.
- I. Fisković - N. Jakšic - J. Belamarić - D. Baričević
- R. Tomić - T. Maroević - I. Lentić, Tisucu godina hrvatskog kiparstva,
Zagreb, 1997.
- C. Fisković, Dalmatinske freske, Zagreb, 1965.
- V. Radauš, Srednjovjekovni spomenici Slavonije,
Zagreb, 1973.
- C. Fisković, Radovan, Zagreb, 1951.
- Lj. Karaman, Buvina, Rad HAZU, Zagreb, 1942
- B. Fučić, Istarske freske, Zagreb, 1963.
- C. Fisković, Prvi poznati dubrovački graditelji,
Dubrovnik, 1955.
- C. Fisković, Zadarski sredovječni majstori,
Split, 1959.
- M. Domijan - I. Petricioli - P. Vežić, Sjaj zadarskih
riznica, Zagreb, 1990.
- A. Deanović - Ž. Čorak, Zagrebačka katedrala,
Zagreb, 1988.
- A. Deanović, Kapela Sv. Stjepana u Zagrebu,
Zagreb, 1995.
- D. Vukičević-Samaržija, Sakralna gotička arhitektura
u Slavoniji, Zagreb, 1986.
- D. Vukičević-Samaržija, Gotičke crkve Hrvatskog
Zagorja, Zagreb, 1993.
- E. Hilje, Spomenici srednjovjekovnoga graditeljstva
na Pagu, Zadar, 1999.
- E. Hilje, Gotičko slikarstvo u Zadru, Zagreb,
1999.
- I. Petricioli, Obrada drvata u Zadru u doba gotike,
Zagreb, 1972.
- I. Petricioli, Tragom srednjovjekovnih umjetnika,
Zagreb, 1983.
- G. Gamulin, Bogorodica s Djetetom u hrvatskoj umjetnosti,
Zagreb, 1971.
- G. Gamulin, Slikana raspela u Hrvatskoj, Zagreb,
1983.
- V. Zlamalik, Paolo Veneziano i njegov krug,
Zagreb,1967.
- K. Prijatelj - I. Fisković - D. Domančić - Z. D. Stančić
- V. Gligo, Blaž Jurjev Trogiranin, Zagreb, 1987.
- B. Fučić, Vincent iz Kastva, Zagreb, 1992.
- V. Ekl, Gotičko kiparstvo u Istri, Zagreb, 1982.
- I. Petricioli, Škrinja Sv. Šimuna u Zadru, Zagreb,
1983.
- K. Prijatelj, Dalmatinsko slikarstvo 15. i 16. st.,
Zagreb, 1983.
- Lj. Karaman, Umjetnost XV i XVI stoljeća u Dalmaciji,
Zagreb, 1933.
- C. Fisković, Juraj Dalmatinac, Zagreb, 1988.
- Periodic: Arte Veneta, Bollettino d'Arte, Critica dell'Arte,
The Bvrlington Magazine, Prilozi povijest
umjetnosti u Dalmaciji, Peristil, Radovi Filozofskog fakulteta u Zadru,
Diadora, Radovi Zavoda za povijesne znanosti HAZU u Zadru, Radovi Instituta
za povijest umjetnosti, Starohrvatska prosvjeta, Hortus Artium Medievalium.
Monographs of artists and monuments. Collections of papers. Encyclopaedias
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