EMIL HILJE: ROMANESQUE AND GOTHIC ART


I. The course of Romanesque and Gothic art is supposed to give the fundamental knowledge about art in Europe, and especially in Croatia, between 1000 and 1500. The students have to learn stylistic elements of Romanesque and Gothic architecture, sculpture and painting. They are also expected to memorize and to be able to recognize the most important monuments of European and Croatian Romanesque and Gothic art.

II. The course of Romanesque and Gothic art is one of the seven main courses of the art history study at the Faculty of Philosophy in Zadar. We also expect that students with attachment to medieval art take every year one of the facultative courses releted to the main course, so that at the end of the study they may become some sort of specialists.

III. All learning about art is obligatory connected with visual materials. At this point of developing the course we are transfering reproductions from the books and other illustrations to a digital form, so that students can get them on the simple CD. The course is devided in two parts: lectures and seminars. After each lecture students ask questions about the subject, and after seminars the discussion is obligatory. We have luck to live in the city with lots of considerable monuments of Romanesque and Gothic art, so that we hold approximately half of our seminars outside the classroom, in direct contact with objects of art.

IV. The course of Romanesque and Gothic art has two hours of lectures and two hours of seminars each week. Lectures mostly contain topics related to European art, and seminars those related to Croatian art. A week-by-week division is as following:

LECTURES:

1. Historical background of Romanesque art.
2. Romanesque architecture in France (Burgundy, Central and west France, Languedoc and south-west France, Provence, Ille-de-France, north-east France, Normandy and Brittany).
3. Romanesque architecture in England.
4. Romanesque architecture in Germany.
5. Romanesque architecture in Italy (North Italy, Middle Italy, South Italy).
6. Romanesque architecture in other countries (Spain, Portugal, Belgium, Netherland, Scandinavia, Switzerland, Austria, Poland, Czechia, Slovakia, Hungary, Slovenia, Montenegro, Serbia).
7. Romanesque architecture in Croatia.
8. Romanesque sculpture in France (schools of Provence, Languedoc and Burgundy).
9. Romanesque sculpture in Italy (North Italy, Middle Italy, South Italy).
10. Romanesque sculpture in other countries (Spain, Portugal, England, Germany, Belgium, Netherland, Scandinavia, Switzerland, Austria, Poland, Czechia, Slovakia, Hungary, Slovenia, Montenegro, Serbia).
11. Romanesque sculpture in Croatia.
12. Romanesque mural painting.
13. Romanesque painting on wood and miniatures.
14. Romanesque painting in Croatia.
15. Romanesque goldwork.
16. The age of Gothic art.
17. Gothic architecture in France (development of gothic architecture in Ille-de-France and spread to other regions).
18. Gothic architecture in England and Germany.
19. Gothic architecture in Italy and Spain.
20. Gothic architecture in other countries (Portugal, Belgium, Netherland, Sweden, Austria, Poland, Czechia, Slovakia, Hungary, Slovenia).
21. Gothic architecture in Croatia.
22. Gothic sculpture in France (Chartres, Paris, Reims, Amiens, Strasbourg ...).
23. Gothic sculpture in Germany and Austria (Bamberg, Naumburg ...).
24. Gothic sculpture in Italy (Nicola Pisano, Giovanni Pisano ...).
25. Gothic sculpture in other countries (Spain, Portugal, England, Belgium, Netherland, Poland, Czechia, Hungary, Slovenia).
26. Gothic sculpture in Croatia.
27. Gothic painting in Italy.
28. Gothic painting in other countries.
29. Gothic painting in Croatia.
30. Gothic goldwork.

SEMINARS:

1. Benedictine architecture in the 11th century in Dalmatia.
2. Zadar Cathedral.
3. St. Chrysogonus church in Zadar.
4. Gislebertus.
5. Benedetto Antelami.
6. Origin of Romanesque sculpture in Dalmatia.
7. Radovan's portal of Trogir Cathedral.
8. Andrija Buvina.
9. Romanesque mural paintings in Istria and Dalmatia.
10. Paintings at the Permanent Exhibition of Sacral Art in Zadar.
11. Sculptures at the Permanent Exhibition of Sacral Art in Zadar.
12. Chartres Cathedral.
13. Zagreb Cathedral.
14. Franciscan monastery in Zadar.
15. Franciscan monastery in Dubrovnik.
16. Nicolò and Giovanni Pisano.
17. Tilman Riemenschneider.
18. Paolo da Sulmona.
19. Bonino da Milano.
20. Matteo Moronzon.
21. Juraj Matejev Dalmatinac.
22. Andrija Aleši.
23. Giotto di Bondone.
24. Simone Martini.
25. Paolo Veneziano.
26. Menegelo Ivanov de Canali.
27. Blaž Jurjev Trogoranin.
28. Ivan Petrov iz Milana.
29. Dujam Vučković.
30. St. Simeon's shrine in Zadar.

Students are also allowed to take for their seminars some other topics, according to their interest and available literature.

V. Readings for the course are primary related to those that students can find in Zadar, than to those that would be the most appropriate. So, the basic list of readings for the course of Romanesque and Gothic Art is:

MANDATORY: